Wagner's Letters
Correspondence by, to, and around Richard Wagner
Wagner’s letters form one of the great documentary records of nineteenth-century artistic life. They reveal the practical, intellectual, emotional, and ideological world behind the works: artistic plans, financial crises, theatrical battles, friendships, quarrels, patronage, exile, revolution, Bayreuth, family life, philosophical reflection, and the shifting circle of figures who helped shape Wagner’s public and private destiny.
This archive is organized chronologically, but it is also designed as a map of Wagner’s relationships. The letters may be browsed by year and month, by sender and recipient, or by major correspondents such as Friedrich Nietzsche, Theodor Uhlig, and Franz Liszt.
Letters from Wagner should be read beside letters sent to him. The outgoing letters often show Wagner fashioning his own cause, defending his works, pleading for help, or advancing his vision of art. The incoming letters reveal how that vision was received, resisted, misunderstood, supported, or transformed by those around him.
Because the collection contains thousands of letters, the table below is intended as a finding aid rather than a replacement for the individual letter pages. Use the filters to narrow the archive by year, month, correspondent, or direction, then open a letter to read the full text.
Note: An asterisk (*) next to the date indicates an exact date for the letter was unavailable and a date has been interpolated from context and ordering.
| Date | From | To | Place | Words | Subject |
|---|---|---|---|---|---|
| January 3, 1843 | Richard Wagner | Robert Schumann | Dresden | 149 |
Wagner tells Schumann with joy that The Flying Dutchman has achieved a triumphant first performance in Dresden, a success he values even more than Rienzi because it follows a new artistic path. He says the immediate audience acclaim exceeded expectations, with enthusiastic calls after the later acts and a particularly powerful performance by Devrient.
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| January 27, 1843 | Richard Wagner | Robert Schumann | Dresden | 351 |
Wagner sends Schumann the score of The Flying Dutchman before forwarding it to Berlin, hoping Schumann will grasp his artistic direction and perhaps write about it, while proposing an exchange of scores and criticism between them. He also reports that he now belongs in Dresden as kapellmeister on full salary, criticizes Berlin's artistic demoralization, and asks about Leipzig and its music school.
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| No letters found. | |||||