You have struck up a regular friendship with Calderon in Paris, dearest Richard; a la bonne heure, he is one of the right sort in whose society one may forget many blackguards and blackguardisms. Unfortunately I know him only very superficially, and have not yet succeeded in making him part of myself. Grillparzer used to tell me wonderful things about him, and if you remain much longer in this element I shall have to read some of his things after you. Let me know on occasion which are the pieces I ought to begin with. His two chief elements, CATHOLICISM and HONOUR, are both dear to my heart. Do you think something musical might be made of this? I once read the translation by Cardinal Diepenbrock of a wonderful sacred drama, in which heaven, and air, and earth, with all their powers, are set in motion. I forget the title at this moment, but shall find out. Perhaps you may tell me, some day, how to mould and handle this subject-matter for musical purposes. I shall have to postpone Rienzi till May. We shall invite Tichatschek for it. All that IS POSSIBLE will be done, but I am annoyed that the result will again be very small. Fischer of Dresden writes me a very sad letter about the frustration of his hope of producing Rienzi there in the course of the winter. He and Tichatschek and many others are cordially devoted to you, and we shall certainly not fail to do our duty as far as in us lies. Lohengrin will be given here very shortly; I have already had a few rehearsals, because Ortrud, the Herald, and the King will be in new hands. I cannot tell you how deeply the work moves me every time. The last time we performed it I felt proud of my century, because it possessed such a man as you show yourself to be in this work. With Lohengrin, the old opera world comes to a close; the spirit moves upon the face of the waters, and there is light. As to your chances in Paris I have not much to say. It is true that Rienzi is amongst your works the most congenial to the Parisians. But whether they will take you up in earnest, and whether in that case you will be able to count upon the sympathy of the manager, the artists, and the press, appears very questionable to me. Nevertheless you have done well to go to Paris yourself. Go on reading Calderon industriously; it will help you to bear the state of things there, which are in glaring contradiction with your genius and your nature. Keep me au courant of your Paris adventures, and if I can be of any service to you, I need hardly say that you may freely dispose of
Dearest Franz,
People take care to give me plenty of diversion. From the enclosed letter, which please seal before you forward it to the person in question, you will see that in addition to other troubles I have been robbed. The thief is near you at Jena, where he has had to go for a short time on military duty. You will, I hope, find no difficulty in finding a person attached or semi-attached to the police, who could deal with E. W., late waiter at the hotel here, in the manner indicated by the letter. I think it will be best to frighten the fellow into restoring the money. If we were simply to put him in prison he would deny the charge in order to save himself, and it is always difficult to prove a money robbery in legal form. Show me your practical wisdom as a police agent. But it must be done very quickly, as the fellow will stay at Jena or Weimar for a little time only. As I start the day after tomorrow, and shall therefore not be in Paris when he comes back, it would be difficult to lay hold of him here. So much for today. I hope I shall find time to write you a rational letter from Paris. A thousand thanks for your faithful love.
Richard Wagner
Source: Project Gutenberg eBook #4234, Correspondence of Wagner and Liszt — Volume 2, No. 256