Wagner's Letters

Richard Wagner to Franz Liszt

June 19, 1849 · Reuil

Overview

Wagner retracts, or at least qualifies, his request that Liszt seek a stipend for him from royal patrons, since his role in the Dresden uprising would make such an appeal awkward and liable to look hypocritical or cowardly. He insists that his deeper impulse was always artistic rather than doctrinaire, and he asks instead for some immediate money so he can leave Paris, probably for Zurich, and recover enough peace to work.

Letter

Dear friend,

Excuse me for applying to you again so soon. At last I received a letter from my wife, and many pangs of conscience were again roused by it. More than all, it lies heavy on my heart today that I have asked you to intercede with several royal personages for a salary for me. I had forgotten, to say nothing of my immediate past, that my sufficiently public participation in the Dresden rising has placed me, toward those royal personages, in a position which must make them think of me as one opposed to them on principle, and this perhaps will make it appear strange that now, when the collapse of that rising has reduced me to poverty, I turn for help to them of all others. My position is all the more painful because I can take no steps to free myself from the suspicion of such sentiments without incurring the worse suspicion of meanness and cowardice.

You personally, I may assure, that the feeling manifested by my undisguised sympathy with the Dresden rising was very far from the ridiculously fanatical notion that every prince is an object of active hatred. If I concurred in this strange fanaticism, I should naturally have had scruples in approaching the Grand Duchess at Weimar with perfect openness. Before you, I trust, I need not defend myself; you know the bitter source of my discontent, which sprang from the condition of my beloved art, which I nourished with passion, and which finally I transferred to every other field, the connection of which with the ground of my deep dissatisfaction I had to acknowledge. From this feeling came the violent longing which finds its expression in the words, “There must be a change; thus it cannot remain.” That now, taught by the experience of my participation in that rising, I could never again mix myself up with a political catastrophe, I need not say; every reasonable person must know it. What rejoices me, and what I may safely affirm, is that in all my aims I have once more become entirely an artist.

But this I cannot possibly tell the princes at the moment when I am about to claim their assistance. What would they think of me! A general and public declaration also would bring me nothing but disgrace. It would have to appear as an apology, and an apology in the only correct sense time and my life alone can tender, not a public declaration, which in the present threatening circumstances and in my helplessness must needs appear cowardly and low. I am sure you will agree with my view of the matter, and I surmise that already you have found yourself in a very awkward position toward the Grand Duchess on my account. My wife, who still thinks it necessary to live on among the dregs of Dresden vulgarity, tells me a thousand unpleasant things which in the eyes of miserable creatures make me appear much more compromised by the revolution than I really am. This feeling toward me is probably spread far and wide, and therefore may have affected the Weimar court. I can well imagine that you think it at present inadvisable to raise your voice for me at a court which, with a natural prejudice, at first sight recognizes in me only the political revolutionary, and forgets the artistic revolutionary whom at bottom it has learned to love. How far you will think it good to comply with my application of yesterday in such circumstances you will best decide for yourself. Is it possible that our princes nowadays should be magnanimous enough to exercise a beautiful old privilege, unmoved by the currents of the time and without weighing conditions? Think this over; perhaps you have more confidence than I.

My wife suffers, and is embittered; for her I hope everything from time. I asked you yesterday to inquire of her as to the pecuniary aid she may need; I ask you today not to do so, not now. If you will do me a kindness, send me a little money, so that I can get away, anywhere, perhaps after all to Zurich, to my old friend Mueller. I should like to be at rest, so as to write the scenario for Paris; I do not feel up to much just now. What should I do in London? I am good for nothing, except perhaps writing operas, and that I cannot do in London.

Richard Wagner

Source: Project Gutenberg eBook #3835, Correspondence of Wagner and Liszt — Volume 1, No. 20